The search functionality is under construction.
The search functionality is under construction.

Author Search Result

[Author] Tomohisa HIROKAWA(2hit)

1-2hit
  • High Quality Speech Synthesis System Based on Waveform Concatenation of Phoneme Segment

    Tomohisa HIROKAWA  Kenzo ITOH  Hirokazu SATO  

     
    PAPER

      Vol:
    E76-A No:11
      Page(s):
    1964-1970

    A new system for speech synthesis by concatenating waveforms selected from a dictionary is described. The dictionary is constructed from a two-hour speech that includes isolated words and sentences uttered by one male speaker, and contains over 45,000 entries which are identified by their average pitch, dynamic pitch parameter which represents micro pitch structure in a segment, duration and average amplitude. Phoneme duration is set according to phoneme environment, and phoneme power is controlled, by both pitch frequency and phoneme environment. Tests show the average errors in vowel duration and consonant duration are 28.8 ms and 16.8 ms respectively, and the vowel power average error is 2.9 dB. The pitch frequency patterns are calculated according to a conventional model in which the accent component is abbed to a gross phrase component. Set a phoneme string and prosody information, the optimum waveforms are selected from the dictionary by matching their attributes with the given phonetic and prosodic information. A waveform selection function, which has two terms corresponding to prosody and phonological coincidence between rule-set values and waveform values from the dictionary, is proposed. The weight coefficients used in the selection function are determined through subjective hearing tests. The selected waveform segments are then modified in waveform domain to further adjust for the desired prosody. A pitch frequency modification method based on pitch synchronous overlap-add technique is introduced into the system. Lastly, the waveforms are interpolated between voiced waveforms to avoid abrupt changes in voice spectrum and waveform shape. An absolute evaluation test of five grades is performed to the synthesized voice and the mean of the score is 3.1, which is over "good," and while the original speaker quality is retained.

  • Phoneme Power Control for Speech Synthesis

    Kenzo ITOH  Tomohisa HIROKAWA  Hirokazu SATO  

     
    PAPER

      Vol:
    E76-A No:11
      Page(s):
    1911-1918

    This paper proposes a new method of phoneme power control for speech synthesis by rule. The innovation of this method lies in its use of the phoneme environment and the relationship between speech power and pitch frequency. First, the permissible threshold (PT) for power modification is measured by subjective experiments using power manipulated speech material. As a result, it is concluded that the PT of power modification is 4.1 dB. This experimental result is significant when discussing power control and gives a criterion for power control accuracy. Next, the relationship between speech power and pitch frequency is analyzed using a very large speech data base. The results show that the relationship between phoneme power and pitch frequency is affected by the kind of phoneme, the adjoining phonemes, rising or falling pitch, and initial or final position in the sentence. Finally, we propose that the phoneme power should be controlled by pitch frequency and phoneme environment. This proposal is implemented in a waveform concatenation type text-to-speech synthesizer. This new method yields an averaged root mean square error between real and estimated speech power of 2.17 dB. This value indicates that 94% of the estimated power values are within the permissible threshold of human perception.