This paper proposes a generative moment matching network (GMMN)-based post-filtering method for providing inter-utterance pitch variation to singing voices and discusses its application to our developed mixing method called neural double-tracking (NDT). When a human singer sings and records the same song twice, there is a difference between the two recordings. The difference, which is called inter-utterance variation, enriches the performer's musical expression and the audience's experience. For example, it makes every concert special because it never recurs in exactly the same manner. Inter-utterance variation enables a mixing method called double-tracking (DT). With DT, the same phrase is recorded twice, then the two recordings are mixed to give richness to singing voices. However, in synthesized singing voices, which are commonly used to create music, there is no inter-utterance variation because the synthesis process is deterministic. There is also no inter-utterance variation when only one voice is recorded. Although there is a signal processing-based method called artificial DT (ADT) to layer singing voices, the signal processing results in unnatural sound artifacts. To solve these problems, we propose a post-filtering method for randomly modulating synthesized or natural singing voices as if the singer sang again. The post-filter built with our method models the inter-utterance pitch variation of human singing voices using a conditional GMMN. Evaluation results indicate that 1) the proposed method provides perceptible and natural inter-utterance variation to synthesized singing voices and that 2) our NDT exhibits higher double-trackedness than ADT when applied to both synthesized and natural singing voices.

Speech quality of VoIP (Voice over Internet Protocol) may potentially be degraded by transmission errors such as packet loss and delay which are basically inevitable in best-effort communications. This study investigates an error concealment technique for such degradation by using a receiver-based technique called pitch waveform replication. For enhancing the conventional technique, this study proposes a waveform reconstruction technique that also takes account of the pitch variation between the backward and forward frames of gap frames. From experimental results of objective evaluation, it is indicated that the proposed technique may potentially be useful for improving the speech quality, compared with the conventional technique.