Considering the trend towards adopting high efficiency picture coding schemes into digital broadcasting services, we investigate objective picture quality scales for evaluating digitally encoded still and moving pictures. First, the study on the objective picture quality scale for high definition still pictures coded by the JPEG scheme is summarized. This scale is derived from consideration of the following distortion factors; 1) weighted noise by the spatial frequency characteristics and masking effects of human vision, 2) block distortion, and 3) mosquito noise. Next, an objective picture quality scale for motion pictures of standard television coded by the hybrid DCT scheme is studied. In addition to the above distortion factors, the temporal frequency characteristics of vision are also considered. Furthermore, considering that all of these distortions vary over time in motion pictures, methods for determining a single objective picture quality value for this time varying distortion are examined. As a result, generally applicable objective picture quality scale is obtained that correlates extremely well with subjective picture quality scale for both still and motion pictures, irrespective of the contents of the pictures. Having an objective scale facilitates automated picture quality evaluation and control.
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Hiroyuki HAMADA, Seiichi NAMBA, "A Study on Objective Picture Quality Scales for Pictures Digitally Encoded for Broadcast" in IEICE TRANSACTIONS on Communications,
vol. E77-B, no. 12, pp. 1480-1488, December 1994, doi: .
Abstract: Considering the trend towards adopting high efficiency picture coding schemes into digital broadcasting services, we investigate objective picture quality scales for evaluating digitally encoded still and moving pictures. First, the study on the objective picture quality scale for high definition still pictures coded by the JPEG scheme is summarized. This scale is derived from consideration of the following distortion factors; 1) weighted noise by the spatial frequency characteristics and masking effects of human vision, 2) block distortion, and 3) mosquito noise. Next, an objective picture quality scale for motion pictures of standard television coded by the hybrid DCT scheme is studied. In addition to the above distortion factors, the temporal frequency characteristics of vision are also considered. Furthermore, considering that all of these distortions vary over time in motion pictures, methods for determining a single objective picture quality value for this time varying distortion are examined. As a result, generally applicable objective picture quality scale is obtained that correlates extremely well with subjective picture quality scale for both still and motion pictures, irrespective of the contents of the pictures. Having an objective scale facilitates automated picture quality evaluation and control.
URL: https://global.ieice.org/en_transactions/communications/10.1587/e77-b_12_1480/_p
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@ARTICLE{e77-b_12_1480,
author={Hiroyuki HAMADA, Seiichi NAMBA, },
journal={IEICE TRANSACTIONS on Communications},
title={A Study on Objective Picture Quality Scales for Pictures Digitally Encoded for Broadcast},
year={1994},
volume={E77-B},
number={12},
pages={1480-1488},
abstract={Considering the trend towards adopting high efficiency picture coding schemes into digital broadcasting services, we investigate objective picture quality scales for evaluating digitally encoded still and moving pictures. First, the study on the objective picture quality scale for high definition still pictures coded by the JPEG scheme is summarized. This scale is derived from consideration of the following distortion factors; 1) weighted noise by the spatial frequency characteristics and masking effects of human vision, 2) block distortion, and 3) mosquito noise. Next, an objective picture quality scale for motion pictures of standard television coded by the hybrid DCT scheme is studied. In addition to the above distortion factors, the temporal frequency characteristics of vision are also considered. Furthermore, considering that all of these distortions vary over time in motion pictures, methods for determining a single objective picture quality value for this time varying distortion are examined. As a result, generally applicable objective picture quality scale is obtained that correlates extremely well with subjective picture quality scale for both still and motion pictures, irrespective of the contents of the pictures. Having an objective scale facilitates automated picture quality evaluation and control.},
keywords={},
doi={},
ISSN={},
month={December},}
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TY - JOUR
TI - A Study on Objective Picture Quality Scales for Pictures Digitally Encoded for Broadcast
T2 - IEICE TRANSACTIONS on Communications
SP - 1480
EP - 1488
AU - Hiroyuki HAMADA
AU - Seiichi NAMBA
PY - 1994
DO -
JO - IEICE TRANSACTIONS on Communications
SN -
VL - E77-B
IS - 12
JA - IEICE TRANSACTIONS on Communications
Y1 - December 1994
AB - Considering the trend towards adopting high efficiency picture coding schemes into digital broadcasting services, we investigate objective picture quality scales for evaluating digitally encoded still and moving pictures. First, the study on the objective picture quality scale for high definition still pictures coded by the JPEG scheme is summarized. This scale is derived from consideration of the following distortion factors; 1) weighted noise by the spatial frequency characteristics and masking effects of human vision, 2) block distortion, and 3) mosquito noise. Next, an objective picture quality scale for motion pictures of standard television coded by the hybrid DCT scheme is studied. In addition to the above distortion factors, the temporal frequency characteristics of vision are also considered. Furthermore, considering that all of these distortions vary over time in motion pictures, methods for determining a single objective picture quality value for this time varying distortion are examined. As a result, generally applicable objective picture quality scale is obtained that correlates extremely well with subjective picture quality scale for both still and motion pictures, irrespective of the contents of the pictures. Having an objective scale facilitates automated picture quality evaluation and control.
ER -